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TABLE OF CONTENTS: First contains a very long directory of names, most of them with words like 'vessel' or 'revenant'. Further details seem to be unavailable, as there's no number for on what page it's at. Afterwards, there's three sections:

Krakow Test Subjects (300 pages):
Technology to Steal from Other Worlds: (180 pages)
Roadmap to Domination: (1970 pages):

************

KRAKOW TEST SUBJECTS:

Every Survivor has a section dedicated to them, including a portrait done with ink. Each section talks not only about their physical traits, powers, social life, history, and other similar personal details, but also shows the Lady and Rembrandt have delved deep into their psyches. Potential motivations, their desires, their vulnerable points, everything has been detailed with scary accuracy.

Nothing indicates what, if anything, she intends to do with anyone, though.

***

TECHNOLOGY TO STEAL:

A series of diagrams of fantastical and very complicated-looking technology. Many of them have notes like 'We know who can analyze this, hm? Time to get a favor' or 'This one involves a field we don't know well. Seek someone who knows'. The kind of technology varies. Fonons, artes, clanks, robots, all sorts of devices...is that the Voltron? That certainly is the Voltron. Looks like the only stuff she is not stealing is anything involving 100% magic.

*******

ROADMAP TO DOMINATION:

An incredibly detailed and convoluted roadmap to victory, covering several decades. According to her plans, she will achieve domination in <b>matter of days</b>, the rest is about ensuring her iron grip on Europa won't be challenged.

The section starts with a note: "Lucrezia: You may be wondering about what will happen <b>after I'm gone</b>. Don't worry, dear, we'll be fine. I have compiled in this book everything you need to know about my journey into another world. Our victory is certain now."

The contents are terrifying. The Lady wrote plan after plan after plan, including backups and contingencies. There are thousands of names involved. Her vessels and revenants, both new and old, feature a lot, she intends to insert them into the society of her world and place them in positions where she will be able to influence and control everything in the continent. Assassinations feature heavily. At least a quarter of her vessels and revenants are dying, too. Political gambits and marriages appear from time to time. There also is some time travel involved. The destruction of a few places is detailed, with no concern for lives or survivors from her attacks.

<b>Iago, Cumore and Dist</b>'s names appear rather often on the span of the first few years before 'being returned to their worlds or let free from her employment' with all sorts of benefits and power. Well at least it doesn't seem she intends to kill them, but the way they're integrated into her plans, looks like <b>she is taking for certain they will serve her</b>.

What's curious is that <b>Rembrandt and the Lady herself feature only on the first few paragraphs</b>.